“Der Sturm (Érème series) unfolds like a stormy sky, the climatic analogy providing the work with a classic, yet natural anchoring. The artistic and cultural gesture sprouts, the painting becomes like a woven fabric and the stroke, an ornament, without a center and without an outline. Simultaneously, the accumulation of paint contradicts the suspension and the illusion of lightness. The swarm as a structure, but its organization is organic and rhythmic rather than an arrangement of shapes.”

- Charlotte Gould, Assistant Professor in British Culture and Art at Sorbonne Nouvelle University, Paris